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Print Transfer Technique – Using Gel Medium

Print transfer is one of my favorite art techniques. Watching the image appear magically on another surface is insanely satisfying, and there are lots of techniques for print transfer, which make it all the more fun to experiment with.

This time I decided to revisit a transfer project I did with Fen a few years ago, but I wanted to try some different variations of the same technique.

I tried using printouts of a couple of my coloring pages onto gelli prints I had previously made, and also a gessoed board.

This method of transfer printing uses gel medium and a printout. I have only done this with inkjet prints, which I have always heard you shouldn’t use with transfer printing because of the way the ink is absorbed into the paper (as opposed to laser prints and photocopies, where the ink sits on the surface of the paper).

Being the renegade that I am, and also because I’m too lazy to go to a copy machine, I’ve been using inkjet prints. And they work.

BUT! Then my little curiosity was piqued, because what if laser prints and photocopies work better, which they probably do, otherwise people wouldn’t be all fussy pants about it.

Off to Staples! Watch for a follow-up post using photocopies next week.

Materials:

Images: inkjet prints, laser prints, or photocopies

Gel medium – Golden and Liquitex are my favorites; choose whether you want a matte or glossy finish.

Acrylic-painted surface. I like any gessoed panel or canvas board for these projects, because they don’t warp and can take a little abuse. (The printed papers I printed on curled up.)

Technique:

On top of an acrylic-painted or printed surface, spread a thick layer of acrylic gel. Pretend you are spreading butter, nice and evenly. Don’t eat your panel.

Transfer printing with gel medium

Place your print face down on the gel and press it into the surface. Don’t press so hard that you squish all the gel away, and please don’t slide the print all over the surface of the gel like some sort of weird print-slider. Weirdo.

Leave it alone. Let it dry. Eat burritos.

print transfer on gessoed board - this shows the paper still on the medium before being removed

Here’s a little Facebook Live video I made to show you the beginning part of the technique:


Whence it hath dryeth, moisten the paper with a little warm water, and start peeling/rubbing the paper away. It should magically and excitingly leave the ink on the surface of the painting. YA! YAY!

Transfer printing on acrylic paint with gel medium Transfer printing on acrylic paint with gel medium

Here I tried a little strip on a thick layer of acrylic paint:

print-transfer-on-paint

Here is the print on the gessoed board. I removed the paper and painted some acrylic washes over it, then blotted parts away with wadded-up paper towel. You can also tint the gel medium with a color before making the print.

gel medium print transfer technique - with acrylic painting on top

Here’s what I experienced this go-round:

The ink from my prints smeared a bit while I was rubbing the paper away, making me curious about trying a photocopy.

It takes a couple of tries to get off most of the paper. Once it dries after the first layer is removed, you’ll see some white in places where the paper still needs to be rubbed away more.

I like the way they look on the prints I had previously made, so if I do this again, I’ll probably end up using the gel medium to glue the print to a hard board. (Gel medium is an excellent glue and collage paste.)

It’s easier to be more aggressive with removing the paper when you have a thicker layer of paint and/or gel medium. I’ll try painting a layer of medium on my prints first, letting it dry, and then adding a second layer with the photocopy. You don’t want to glop on a big, fat layer of gel medium all at once, because it can craze (crack) as it dries.

Here’s more print transfer using gel medium- plus a bunch of other techniques to transfer images onto wood surfaces. We’ll be revisiting this technique again soon, too.

What do you think?

Written by Joanne Gonzales

Joanne Gonzales has a passion for getting creative. Whether she is making personalized DIY gifts or taking part in larger arts and crafts projects, she puts her all into making new and beautiful things.

She lives with a group of close friends and believes in the natural way of life. Joanne has built an outdoor arts and crafts gallery that overlooks the countryside in her hometown, which is where all of her creations come to life.

Art started off as a hobby, but over time Joanne has mastered her skills and sold some of her favorite pieces. She works full time as a florist and has done for many years. It helps keep her creative juices flowing and she hopes to one day open her own florist shop with a twist.

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  1. Wonder if this would work on glass or porcelain? I’ve got some designs on paper I’d like to transfer to a mug or shotglass

  2. Tried this but the transfer paper (standard 24#) always wrinkled horribly :-(. What do you think went wrong?

    • Weird. I used standard printer paper, which I just looked up and it says it’s 20lb. Wonder if that would make that much difference, though. Did it wrinkle while it was drying? I wonder if you place something heavy like a book (protected with wax or freezer paper on top of it while it prints.

      I’ve been meaning to do more of these soon, so I’ll come back and let you know if I get any wrinkling.

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